Sequence 1 - Location 1 – Waste yard-22nd January 2014
Suspense music played throughout with each shot accompanied by a loud booming sound
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Shot 1: High Angle shot from behind Trevor in the chair
Shot 2: Long shot diagonal from Trevor in the chair
Shot 3: Long shot opposite picture 2 on a diagonal slant from the chair
Shot 4: Long shot directly in front of Trevor in the chair, dissolve into
First shot at the next location
Sequence 2 - Location 2 – Cutty Sark-14th January 2014
Shot 1: Pan shot from Cutty Sark onto Trevor in front of the ThamesShot 2: Over the shoulder shot of Alex walking towards Trevor while he looks out towards the Thames
Shot 3: Medium shot of Trevor turning around to establish Alex’s presence.
Shot 4: Medium shot of the two men shaking hands on encounter
Shot 5: Low angle/long shot diagonally behind Trevor of Alex saying something to Trevor
Shot 6: Over the shoulder shot of Alex producing envelope from inside his Suit Pocket
Shot 7: Close up of envelope exchange between the two men
Shot 8: Over the shoulder shot of Trevor’s reaction to him passing him the envelope
Shot 9: Long shot of Trevor walking away from Alex while Alex looks in his direction
Shot 10: Medium shot of Alex standing emotionless pulls out his phone and types something
Dissolve back to Location 1
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Follow on from sequence 3 picture 1
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3

Shot 1: Medium shot of Trevor taking jacket off the hook and putting it on
Shot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Dissolve back to Location 1
Sequence 3 - Location 1 – Waste land
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Sequence 5 – Location 1 – Waste Yard
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3

Shot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Sequence 7 – Location 1 – Waste land
Shot 1: Close up of blooded Trevor on the chair and then being punched from off screen from the audiences’ right by Claudius
Shot 3: Medium shot of Trevor being dragged across the floor by Claudius towards the car in the background
Shot 4: Medium shot of Trevor further being dragged from the perspective of the side of the car
Shot 5: High angle diagonal shot of Trevor being propped up against the car by Claudius
Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car

Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car
Shot 9: Medium shot of Claudius partially blocked by the car seemingly placing Trevor in the boot
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
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