Tuesday, 11 February 2014
Sunday, 9 February 2014
Script
Script
(Open with high angle shot of Trevor tied to the chair in the wasteland setting. This followed by a combination of shots from different angles assissted by cinematic booms. )
Cross fade to Alex and John (The Boss) in a dimly lit room and the two men proceed with the following conversation:
Boss: Give this to the boy tomorrow and let him take the hit
Alex: But Boss, this guy ain't a bad kid-
Boss: I don't care what he is or what he has done, you know what his brother did to me. Give him this package, let him take the fucking hit and call me when he has it
Alex: (reluctantly while standing up) Yes Boss
Boss: Oh and Alex, remember who the boss is ...
Cross fade in to a direct shot of Trevor strapped to the chair and then cross fade out to the cutty sark
(Suspenseful Music is played over the top of Alex walking towards Trevor while he stands by the river thames, the two men interact for a moment and then Alex hands Trevor the package. The shot then changes to Alex walking away when he stops and makes a phone call.)
Cross fade to another shot of Trevor strapped to the chair in the wasteland location. This time the camera is closer to Trevor than the previous shot.
(Cross fade back out to Trevor at his house watching the envelope package anxiously before picking it up and viewing its content. Faster music is now playing over the action while Trevor gets up and walks out his front door hesitantly. He begins to walk from his house onto the street through a series of different shots until the camera fades while there is heavy breathing and a fast heartbeat played over the black screen.)
Fade into a close up of Trevor's face while he is strapped to the chair, he is panicked and frantic and then a hand holding a gun to his head emerges from the right hand side of the screen. The screen turns black and there is a pause until a gun shot sound effect is heard ...
Our title then emerges and this concludes the opening to our thriller film.
(Open with high angle shot of Trevor tied to the chair in the wasteland setting. This followed by a combination of shots from different angles assissted by cinematic booms. )
Cross fade to Alex and John (The Boss) in a dimly lit room and the two men proceed with the following conversation:
Boss: Give this to the boy tomorrow and let him take the hit
Alex: But Boss, this guy ain't a bad kid-
Boss: I don't care what he is or what he has done, you know what his brother did to me. Give him this package, let him take the fucking hit and call me when he has it
Alex: (reluctantly while standing up) Yes Boss
Boss: Oh and Alex, remember who the boss is ...
Cross fade in to a direct shot of Trevor strapped to the chair and then cross fade out to the cutty sark
(Suspenseful Music is played over the top of Alex walking towards Trevor while he stands by the river thames, the two men interact for a moment and then Alex hands Trevor the package. The shot then changes to Alex walking away when he stops and makes a phone call.)
Cross fade to another shot of Trevor strapped to the chair in the wasteland location. This time the camera is closer to Trevor than the previous shot.
(Cross fade back out to Trevor at his house watching the envelope package anxiously before picking it up and viewing its content. Faster music is now playing over the action while Trevor gets up and walks out his front door hesitantly. He begins to walk from his house onto the street through a series of different shots until the camera fades while there is heavy breathing and a fast heartbeat played over the black screen.)
Fade into a close up of Trevor's face while he is strapped to the chair, he is panicked and frantic and then a hand holding a gun to his head emerges from the right hand side of the screen. The screen turns black and there is a pause until a gun shot sound effect is heard ...
Our title then emerges and this concludes the opening to our thriller film.
Saturday, 8 February 2014
Location Sheet and Shooting Schedule
Opening scene
Shot 1: High Angle shot from behind Trevor in the chair
Shot 2: Long shot diagonal from Trevor in the chair
Shot 3: Long shot opposite picture 2 on a diagonal slant from the chair
Shot 4: Long shot directly in front of Trevor in the chair, dissolve into
First shot at the next location
Shot 1: Pan shot from Cutty Sark onto Trevor in front of the Thames
Shot 2: Over the shoulder shot of Alex walking towards Trevor while he looks out towards the Thames
Shot 3: Medium shot of Trevor turning around to establish Alex’s presence.
Shot 4: Medium shot of the two men shaking hands on encounter
Sequence 1 - Location 1 – Waste yard-22nd January 2014
Suspense music played throughout with each shot accompanied by a loud booming sound
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Shot 1: High Angle shot from behind Trevor in the chair
Shot 2: Long shot diagonal from Trevor in the chair
Shot 3: Long shot opposite picture 2 on a diagonal slant from the chair
Shot 4: Long shot directly in front of Trevor in the chair, dissolve into
First shot at the next location
Sequence 2 - Location 2 – Cutty Sark-14th January 2014
Shot 1: Pan shot from Cutty Sark onto Trevor in front of the ThamesShot 2: Over the shoulder shot of Alex walking towards Trevor while he looks out towards the Thames
Shot 3: Medium shot of Trevor turning around to establish Alex’s presence.
Shot 4: Medium shot of the two men shaking hands on encounter
Shot 5: Low angle/long shot diagonally behind Trevor of Alex saying something to Trevor
Shot 6: Over the shoulder shot of Alex producing envelope from inside his Suit Pocket
Shot 7: Close up of envelope exchange between the two men
Shot 8: Over the shoulder shot of Trevor’s reaction to him passing him the envelope
Shot 9: Long shot of Trevor walking away from Alex while Alex looks in his direction
Shot 10: Medium shot of Alex standing emotionless pulls out his phone and types something
Dissolve back to Location 1
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Follow on from sequence 3 picture 1
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3
Sequence 6 – Location 3 – Trevor’s House
Shot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Shot 2: Low angle/Long/Medium shot from Trevor’s right of him falling off the chair
Dissolve back to Location 1
Sequence 3 - Location 1 – Waste land
Follow on from sequence 1 picture 4
Shot 1: Long/Medium shot of Trevor on chair, closer than S1 pic 4
Dissolve to location 3
Sequence 4 – Location 3 – Trevor’s house-3rd January 2014
Open from dissolve
Shot 1: Over the shoulder shot of the envelope on Trevor’s coffee Table
Shot 2: Extreme Close Up of the word “Confidential” on the envelope and Trevor removes envelope from the screen
Shot 3: Medium shot of Trevor examining and opening up the envelope to read a letter, looks off camera with a wave of apprehension/uncertainty in his face
Straight cut to Location 1
Sequence 5 – Location 1 – Waste Yard
Shot 1: Camera directly on Trevor in the chair closer than S3 pic 1
Straight cut to Trevor at location 3
Sequence 6 – Location 3 – Trevor’s HouseShot 2: High angle shot of Trevor walking towards and opening the door
Shot 3: Long/Medium shot of Trevor coming through the door on the outside
Shot 4: Close up on Trevor looking left and right on his doorstep
Shot 5: Pan shot of Trevor walking out of his front garden
Shot 6: Long shot of Trevor walking towards the camera until he gets close enough so that it becomes a close up and then Trevor is punched by a hand from off screen
Straight cut to Location 1
Sequence 7 – Location 1 – Waste land
Shot 1: Close up of blooded Trevor on the chair and then being punched from off screen from the audiences’ right by ClaudiusShot 2: Low angle/Long/Medium shot from Trevor’s right of him falling off the chair
Shot 3: Medium shot of Trevor being dragged across the floor by Claudius towards the car in the background
Shot 4: Medium shot of Trevor further being dragged from the perspective of the side of the car
Shot 5: High angle diagonal shot of Trevor being propped up against the car by Claudius
Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car
Shot 6: Medium shot on the opposite side of the high angle shot of Trevor on the car
Shot 7: Medium shot behind Claudius of him making a punching gesture and Trevor falling to the side by the car
Shot 8: Low angle shot of Trevor being dragged by Claudius towards the boot of the car
Shot 9: Medium shot of Claudius partially blocked by the car seemingly placing Trevor in the boot
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
Shot 10: Low angle shot of Claudius producing a gun and as the camera pans away there a loud bang of a gunshot. The sound of the boot being closed is heard and then the car begins to drive off. As it gets far enough away, the camera pans back to Claudius staring straight ahead holding the gun at his side, he turns around and walks away. There is a fade shot into the title of our film.
Friday, 7 February 2014
costume and props
Costumes and Props
Character Name: Trevor
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Costume:
Location 1
Bloody/ripped vest, old shorts with black socks
Location 2
Navy hooded jumper, blue trousers and grey and black trainers
with white T – shirt
Location 3
Same as location 2 but the hooded jumper is removed
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Props:
The chair
The envelope
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Character Name: Alex
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Costume:
Location 2
Blue satin suit,
blue/black tie, white shirt, black shoes
Flash watch, other
jewellery accessories
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Props:
The envelope
His phone
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Character Name:
Claudius
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Costume: location1
Black on black shirt and tie, black leather gloves, black
shoes and a long black coat
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Props:
Gun
Car chair
Phone
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Tuesday, 4 February 2014
Shot List
Thriller:
Pursuit – Picture list
Opening scene
Sequence 1 - Location
1 – Waste yard
Suspense music played throughout with each shot
accompanied by a loud booming sound
|
Picture 1: High Angle
shot from behind Trevor in the chair
Picture 2: Long shot
diagonal from Trevor in the chair
Picture 3: Long shot
opposite picture 2 on a diagonal slant from the chair
Picture 4: Long shot
directly in front of Trevor in the chair, dissolve into
First
shot at the next location
Sequence 2 - Location
2 – Cutty Sark
Picture 1: Pan shot
from Cutty Sark onto Trevor in front of the Thames
Picture 2: Over the
shoulder shot of Alex walking towards Trevor while he looks out towards the
Thames
Picture 3: Medium shot
of Trevor turning around to establish Alex’s presence.
Picture 4: Medium shot
of the two men shaking hands on encounter
Picture 5: Low
angle/long shot diagonally behind Trevor of Alex saying something to Trevor
Picture 6: Over the
shoulder shot of Alex producing envelope from inside his Suit Pocket
Picture 7: Close up of
envelope exchange between the two men
Picture 8: Over the
shoulder shot of Trevor’s reaction to him passing him the envelope
Picture 9: Long shot of
Trevor walking away from Alex while Alex looks in his direction
Picture 10: Medium shot
of Alex standing emotionless pulls out his phone and types something
Dissolve back
to Location 1
Sequence 3 -
Location 1 – Waste land
Follow on
from sequence 1 picture 4
Picture 1: Long/Medium
shot of Trevor on chair, closer than S1 pic 4
Dissolve to
location 3
Sequence 4 –
Location 3 – Trevor’s house
Open from
dissolve
Picture 1: Over the
shoulder shot of the envelope on Trevor’s coffee Table
Picture 2: Extreme
Close Up of the word “Confidential” on
the envelope and Trevor removes envelope from the screen
Picture 4: Medium shot
of Trevor examining and opening up the envelope to read a letter, looks off
camera with a wave of apprehension/uncertainty in his face
Straight cut
to Location 1
Sequence 5 –
Location 1 – Waste Yard
Follow on
from sequence 3 picture 1
Picture 1: Camera
directly on Trevor in the chair closer than S3 pic 1
Straight cut
to Trevor at location 3
Sequence 6 –
Location 3 – Trevor’s House
Picture 1: Medium shot
of Trevor taking jacket off the hook and putting it on
Picture 2: High angle
shot of Trevor walking towards and opening the door
Picture 3: Long/Medium
shot of Trevor coming through the door on the outside
Picture 4: Close up on
Trevor looking left and right on his doorstep
Picture 5: Pan shot of
Trevor walking out of his front garden
Picture 6: Long shot of
Trevor walking towards the camera until he gets close enough so that it becomes
a close up and then Trevor is punched by a hand from off screen
Straight cut
to Location 1
Sequence 7 –
Location 1 – Waste land
Picture 1: Close up of
blooded Trevor on the chair and then being punched from off screen from the
audiences’ right by Claudius
Picture 2: Low angle/Long/Medium
shot from Trevor’s right of him falling off the chair
Picture 3: Medium shot
of Trevor being dragged across the floor by Claudius towards the car in the
background
Picture 4: Medium shot
of Trevor further being dragged from the perspective of the side of the car
Picture 5: High angle
diagonal shot of Trevor being propped up against the car by Claudius
Picture 6: Medium shot
on the opposite side of the high angle shot of Trevor on the car
Picture 7: Medium shot
behind Claudius of him making a punching gesture and Trevor falling to the side
by the car
Picture 8: Low angle
shot of Trevor being dragged by Claudius towards the boot of the car
Picture 9: Medium shot
of Claudius partially blocked by the car seemingly placing Trevor in the boot
Picture 10: Low angle
shot of Claudius producing a gun and as the camera pans away there a loud bang
of a gunshot. The sound of the boot being closed is heard and then the car
begins to drive off. As it gets far enough away, the camera pans back to
Claudius staring straight ahead holding the gun at his side, he turns around and
walks away. There is a fade shot into the title of our film.
Monday, 3 February 2014
Risk assessment
Risk Assessment
Group Members: Jack, Royce, Corey and Michael Location: A Room
Hazard
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Person(s) at Risk
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Likelihood of Hazard
1 – Extremely Unlikely
5 – Extremely Likely
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Severity of Hazard Outcomes
1 – Very Low Risk
5 – Very High Risk
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Risk Level
(Likelihood + Severity)
2
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Measures to Take to Manage Risk
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Risk Managed?
Y/N
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1.Trip Hazards
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Everyone
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2
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4
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3
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Be careful where you walk
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Y
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Contacts
Emergency Service: 999
Robert Clack School: 020 8270 4222 Other Contacts:
Robert Clack School: 020 8270 4222 Other Contacts:
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